High quality acrylic paints accurately matched to the schemes used by the United States Marine Corps applied to the AV-8A and the Royal Air Force applied to the Harrier Gr.1/3.
High quality acrylic paints accurately matched to the AV-8S Matador in service of the Spanish Navy from 1976 to 1996, with Light Gull Grey upper surfaces and a very light grey (FS27875) near white for the undersides
Contains 5 sheets of low adhesion masking for airbrushing. The 280 x 195mm size allows for making any design to be cut with scissors, a sharp blade, a plotter, or by hand directly on the model if necessary.
25 meters roll of masking tape, low adhesion and high quality for precision work. 2 mm width.
25 meters roll of masking tape, low adhesion and high quality for precision work. 6 mm width.
25 meters roll of masking tape, low adhesion and high quality for precision work. 10 mm width.
25 meters roll of masking, low adhesion and high quality precision work. 20 mm width.
Easily apply authentic wet mark effects as well as small traces of water and pooling on your models.
Easily apply authentic spilled fuel effects on your models.
Easily apply authentic spilled engine oil effects on your models.
18 metre roll of blue masking tape for curves. 2,0 mm width.
Patina oxide, 20 ml.
Paynes grey, 20 ml.
Magenta, 20 ml.
Sand brown, 20 ml.
Cream brown, 20 ml.
Intense blue, 20 ml.
Blue-green, 20 ml.
Midnight blue, 20 ml.
Dark brick red, 20 ml.
Flesh shadow, 20 ml.
Metallic copper, 20 ml.
Metallic silver, 20 ml.
Metallic gold, 20 ml.
Faded flesh, 20 ml.
Copper oxide blue (patina), 20 ml.
Light grey, 20 ml.
Faded white, 20 ml.
Engine grease, 20 ml.
Light sand, 20 ml.
Field grey, 20 ml.
Sunny flesh tone, 20 ml.
Basic flesh tone, 20 ml.
Light flesh tone, 20 ml.
Dark mud, 20 ml. A basic in weathering processes, adding realism underneath the dirty vehicles or on snowed terrains.
Light mud, 20 ml. A basic in weathering processes, adding realism to the underside of dirty vehicles when used on a subtle way. A special colour to create mud accumulation effects.
Red primer, 20 ml. This colour can be used in a wide variety of situations and it is ideal for vehicles that need red priming, ship hulls, sci-fi models, for combining on figure clothing, red parts or layers, for the dotting and mapping techniques, etc.
Black, 20 ml. Perfect for extreme weathering effects, for panel darkening and to work on very dark surfaces. It is also used to provide depth in the hidden areas and to darken other colours adding tone variation on abandoned and destroyed vehicles.
Neutral grey, 20 ml. With this neutral gray in combination with other tones to you will be able to create lights and shadows on was ships, aircrafts, sci-fi or figures with dark uniforms.
Green grass, 20 ml. Perfect colour to develop lights and shadows or faded effects of Green colours. It also looks fantastic on green figures when looking for extra luminosity.
Earth, 20 ml. A special colour, ideal for creating subtle ground effects. Colours that mimic these effects can be used in any segment of modelling making them very popular.
Ocher, 20 ml. A classic colour for achieving a multitude of effects; use it together with other colours.
Industrial earth, 20 ml. This color simulates the earth over industrial areas.
Brown wash, 20 ml. An ideal colour for creating variations in tone on models that have been painted in light colours. Once applied, the subtle effects reveal a very realistic finish.
Dark rust, 20 ml. A very realistic dark rust tone, perfect for creating rust effects found on various types of metal, such as exhaust pipes.
Light rust, 20 ml. Perfect colour to simulate light rust effects and also to work on metallic structures, exhausts, etc.
Olive green, 20 ml.
Faded green, 20 ml.
Buff, 20 ml.
Faded navy blue, 20 ml.
Warm red, 20 ml. Perfect colour to enrich models painted with a red primer base and to create several different effects on them.
Faded dark yellow, 20 ml. An ideal colour to darken sand yellow tones and create different colour combinations for dust effects. Warm colours are also indicated to illuminate panels and areas with higher incidence of light.
Shadow brown, 20 ml. A basic colour especially created to add shades on your model’s fine details. Its developed tone makes it perfect to create different shadows as well as filters.
Yellow, 20 ml. Perfect to create colour variations on brown and sand tones and on different green tones as well.
Raw umber, 20 ml.
Burnt umber, 20 ml. Burnt Umber is a neutral/ dark tone making it perfect for enhancing volume on sand colours and on any type of accessories.